Remember Me? Xx No. Today’s Posts competitions support us FAQ advertise our advertisers newsletter. When you buy products through links across our site, we may earn an affiliate commission. Learn more. Thank you Gearspace. Page 1 of 2. Logic So I understand logic pro x tutorial pdf free Apple is for some reason only releasing logic pro tutorual as iBooks these days, so my question is how are logic pro x tutorial pdf free ios users supposed to access these manuals?

Is there any way to convert the iBooks version to pdf or does anyone know if such a converted version is available somewhere? I know I could just access the manual on my mac but I don’t just read the manual proo I’m using logic; I like to dig deeper into the manual at my leisure which means I am not at my desktop computer.

I don’t own an iPad and I no longer use an iPhone. That shouldn’t mean that I don’t have convenient access to something as basic as a user manual for purchased software. Any thoughts, ideas, or suggestions are appreciated. My Studio. I think this logc the last pdf logic pro x tutorial pdf free published for Logic Pro X.

It is for version 1. However I don’t logic pro x tutorial pdf free what you want. You don’t want to read on am iPad and not on a computer because you use it for Logic. Does it mean you want tugorial pdf file that you can print out перейти a hard copy?

In that case it would be better to buy a book. Have a look on my website with all the links, also to the iBooks Store where you can download free samples of all my books. When I mentioned that I find the lack of a good logic pro x tutorial pdf free problematic, logic pro x tutorial pdf free suggested the iBook format is more browsable and has better search and annotation capabilities.

But to have them in iBook format I’d have to buy them all over again. I think that for me your series would be most effective in print, to savor and explore, because of the way you wrote it, as an exposition.

Last edited by Fernand; 12th January at PM. Fernand, I always release my books in all three formats: pdf, iBooks, and printed books. The iBooks usually take a month or two longer due to the reformatting and additional glossary. The pdfs and the printed books have an index for the terms. Regarding search, I find the pf the best, because you can do boolean searches and search for phrases using quotation marks around the phrase.

BTW, I never used http://replace.me/25427.txt else than the Preview app to read pdfs, which is much better pdf-reader than Adobe’s own app. You don’t have to go back and forth searching the index. Much faster and more efficient leaning experience. You don’t need an iPad or iPhone to read the iBooks, you can use the iBooks app on your Mac and you still have all the interactivity.

Tutlrial download the the free book samples to experience for yourself. BTW, thanks for buying my books. I really appreciate it. Attached Thumbnails. The current help c available on the web.

To find the current help, you just do that llogic Logic Pro X. Gutorial you get the URL, logc can use your Samsung tablet or any mobile device. As you can see I’ve pointed out it says In this example, You usually change logic pro x tutorial pdf free on the first two numbers, Thanks for the tip but it looks like this is the same as the Web link on the Apple support page. For some reason that doesn’t seem to work tuforial me either. The contents menu pops up but the disclosure triangles don’t work so it’s impossible to navigate from topic to topic.

This could tutoriial be an issue with my browser but chrome is pretty popular so you would think it would be supported. Maybe it’s just user error as well but that is why I want a pdf because I don’t want to be loglc with Web browsers at all. I just want something that I can read like a book, not a tangle of Web links. If you go here. Note: Click Load more results to see the Instruments and Effects. Edgar, I just finished your free automation book and I really liked dpf.

I am definitely sold on your series logic pro x tutorial pdf free I have a quick logic pro x tutorial pdf free before I buy the next installment. Does the “Details” book overlap with the “how it works” book or is entirely different material? I’ve been using Logic for a couple по этой ссылке years so I am pretty good at doing things in my own way.

My problem is that I find I am doing some things the hard it feels like. I tutoroal wondering, do I need to get both books or should I just go straight to the “Details” since I already have a lot experience in Logic? Also, thanks again for the pdf link, but I was wondering, do you also have links to the old rfee and effects pdf’s from that time?

Thanks for your time and help. It is a continuation with all the remaining features of Logic that I haven’t covered in the first book. They are useful for any user level, because I introduce each logic pro x tutorial pdf free in case tutkrial user is not familiar with it. A user can implement any of those trips, trick, features into any workflow right away. I often get response from customers that they say they are experienced Logic user, but they still found information in my book that http://replace.me/14978.txt didn’t know in Pfd.

How about the following challenge which is only for you and not for the public in general. I have a copy of it so Logic pro x tutorial pdf free went to this URL and put in the logoc that you see in the image, then clicked on Search. Больше на странице on it to get the PDF. EdgarRothermich I think the value of an old fashioned index is that unlike a boolean dree it lets the author create useful semantic links.

For instance, the index entry “tracking” could take you to sections on recording audio and other sections on recording MIDI, even though the word “tracking” might appears xx neither. Make sense? I understand you tutoriap the first book, then got into details, wrote the second. It’s great for someone to read in that order. But having to use boolean search in two books doesn’t make a pdt of sense if you’re trying to jump to answers.

My case I don’t think is unique. I’d love 10 2020 free download sit by the fireplace and read your по этому сообщению, but what I really need is a fast way to zoom in and read e.

And boolean searches pre-suppose I know the terminology, while I might not yet know what it’s called in Logic. What I’m getting at is that loggic an additional value-added layer you could offer that would use your familiarity with Logic and other apps to create something like an uber-index, a semantic converter, посетить страницу would help anyone, even say a Cubase tutorual ProTools user, to zoom in on the specific Logic stuff that might be discussed in multiple sections and books.

Another example. I’m working with a score, but Tutoril don’t know how Logic controls which regions and which tracks logic pro x tutorial pdf free up on the page. So I’m asking “how do I hide these tracks”, I search for “score hide tracks” but nothing comes up.

In reality it’s not a matter of hiding them, but I don’t know how the page presentation is built, so I don’t know how else to express it. Thus a table of contents and even a fancy boolean search for specific words won’t help. But YOU could build a smarter index. If this makes no sense to you, I give up. Last edited pr Fernand; 14th January at AM.

That is the exact link I posted in my first response. It is the old Logic Pro X v1. That’s why it’s better than to use the web link to view the logic pro x tutorial pdf free 10 free sharing windows download home update information or do what I just did. I downloaded the iBooks which http://replace.me/4734.txt epubs pdr converted them to HTML but the way I set it up, you can have them on a local folder and then click on the index.

This link shows how you can also put them on a web site if you wanted to. I was going to ask why not just use the. PDF, but you’re saying you can’t find the User Guide. Or is there some advantage to using the HTML? Are ANY of the Apple docs up to date, to Which ones? Замечательный windows 10 on a usb давай the most pvf update, when I renamed as suggested above and opened the index in safari – I just got jibberish Was trying to extract the control surfaces manual.

But used your site посмотреть больше the source. I then decided to try do the CS manual as well the epub in iBooks which ;df when I encountered the issue.

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Logic pro x tutorial pdf free.Logic Pro: The Ultimate Overview for Beginners | LANDR Blog

 

Click here to start from the beginning or simply just keep on reading. Logic Pro is one of the most popular DAWs for beginners and pros alike. Logic is a digital audio workstation for Apple computers. In Apple purchased Emagic and integrated its software into its lineup of creative programs.

In , they used a stripped-down version of the tech to create the hit app Garageband that has come free with every edition of Mac OS since Panther.

The software came in numbered editions until Logic 9 when Apple updated the look and feel with Logic Pro X. Hot tip: Want more DAW tips, deep dives and in-depth tutorials? In fact, many Garageband users eventually graduate to Logic as they scale up their workflow. Many Garageband users eventually graduate to Logic as they scale up their workflow. Apple has produced a helpful guide to explain the process of graduating from Garageband to Logic.

That means the only way to download it is through the desktop version of the App Store. Set the playhead to the point where you want the screenset to change. The inserted meta event has a default value of 50 Project Select.

You can stop screenset switching by muting the MIDI region that contains the meta 49 event. For information about meta events, see Meta events in Logic Pro. A bullet appears in front of the screenset number to indicate that it is locked.

Repeat the key or menu command to unlock the screenset. Copy screensets 1. In the Duplicate Screenset dialog, enter the target screenset number the screenset number that you want to copy to , and give it a name. Rename the current screenset 1. The default is the visible window names. The name is automatically updated whenever a window or view is opened or closed.

Import all screensets from another project 1. In Logic Pro, do one of the following:. Navigate to and select the project file that you want to import screensets from, then click the Import button.

Note: If accessing this feature via the All Files Browser, you also need to click the Import Settings button, which appears after clicking the Import button. In the Import Settings dialog, select the Screensets option. Revert to saved screensets in Logic Pro You can easily revert to saved screensets.

Some tools are common to all working areas, while others are available only in some working areas. When you choose a tool from the Tools menu, the pointer changes to show the chosen tool.

In general, you use a tool by clicking a region, note, or other item in that working area. If multiple regions are selected when you use a tool, the edits apply to all the selected regions for example, the Scissors tool cuts all selected regions at the same time position. Where tools are available, there are two Tools menus: a Left-click and a Command-click Tools menu.

You can assign separate tools to the Left-click and Command-click Tool menus. You can also assign the right mouse button if your mouse supports one. For information about assigning tools, see Assign tools in Logic Pro. The pointer adopts the shape of the active tool, so you can quickly identify which tool is being used. The Command-click Tool menu is located on the right by default, but is located in the middle when a third Right-click tool is assigned. See Editing preferences in Logic Pro.

If you have a suitable mouse, you can also assign the right mouse button to any of the following:. You can set two different behaviors for the Pointer tool when using it in the Tracks area.

Set the behavior of the right mouse button 1. Click Editing, then choose a setting from the Right Mouse Button pop-up menu. Choose the appropriate menu item to assign the tool, which is available when the right mouse button is pressed while editing. Click a tool to choose it. When the Tool menu is open, you can also use the key shown next to a tool to select it. Note: When you choose a tool from the Tool menu by right-clicking, the tool is assigned to the left mouse button.

Right-double-clicking in the working area of the active window resets the assigned tool to the Pointer tool. Set the behavior of the Pointer tool in the Tracks area 1. Click Editing, then select the behavior you want for the Pointer tool. The Loop pointer and behavior can still be accessed in these click zones by holding down Option. Pointer tool The Pointer is the default tool when you open Logic Pro. You can use the Pointer tool to:.

You can select multiple items by holding down Shift and dragging around the items. The pointer also takes the shape of this tool when outside the working area, when making a menu selection, or entering a value.

Pencil tool Use the Pencil tool to add new regions or events. You can also select, drag, loop, and alter the length of regions or events using the Pencil tool. In the Score Editor, you can use the Pencil tool to add dynamic markings, accents, and other symbols to notes.

Eraser tool Use the Eraser tool to delete selected regions or events. When you click a region or event with the Eraser tool, all of the currently selected regions or events are deleted similar to pressing the Delete key. The Eraser tool can also delete an unselected region or event by clicking it.

Text tool Use the Text tool to rename regions and other items, or add text to a score in the Score Editor. Scissors tool Use the Scissors tool to split regions and events, allowing individual sections to be copied, moved, or deleted. Glue tool Use the Glue tool to join selected regions or events into a single region or event.

Solo tool Click and hold a region with the Solo tool to listen to the selected region or event apart from the rest of the project. Moving the mouse horizontally also scrubs any events the pointer touches. You can unmute the region or event by clicking it a second time with the Mute tool. If multiple regions or events are selected, the mute state of the clicked region or event applies to all selected regions or events.

Zoom tool Use the Zoom tool to zoom in by dragging over regions or other material, or over an empty part of the Tracks area. To revert to the normal zoom level, click the window background with the Zoom tool, or click while holding Control-Option. You can also access the Zoom function by pressing and holding Control-Option, regardless of which tool is active. Fade tool Use the Fade tool to create and edit fades, or to change the shape of fade curves.

Automation Select tool Use the Automation Select tool to select automation data and create automation points at region borders. Automation Curve tool Use to Automation Curve tool to bend or reshape the curve between two automation points, creating a nonlinear transition between the points. Marquee tool Use the crosshair-shaped Marquee tool to select and edit parts of regions.

In the Tracks area, you can select part of a region or regions with the Marquee tool and apply selection- based processing with audio effects. Flex tool Use the Flex tool for quick access to fundamental Flex editing functionality, without having to turn on Flex view in the Tracks area.

Tools for specific working areas Tools specific to a particular editor or other working area are covered in the respective chapters for that working area. Logic Pro advanced tools and options Logic Pro X provides the power and flexibility of previous versions of Logic Pro, while allowing you to turn groups of features on or off to streamline your workflow. For experienced users who have upgraded from Logic Pro 8 or 9 or Logic Express 8 or 9 , all advanced tools and additional options are turned on by default.

When you open an existing project in Logic Pro X, any additional options used by the project are turned on automatically. Users new to Logic Pro can start working with basic features and a streamlined interface. In particular, users familiar with GarageBand will find a direct match for nearly all GarageBand features.

All windows, views, menus, and key commands required for standard music production tasks are accessible in the app. You turn on advanced tools by selecting Show Advanced Tools in the Advanced preferences pane. Turning on advanced tools without turning on any of the specific additional options lets you do the following:. Additional Options When Show Advanced Tools is selected, additional options providing further expert capabilities become available, and can be selected individually depending on the type of tasks you want to perform.

When Show Advanced Tools is selected in the Advanced preferences pane, the following additional options are also available:. For users upgrading to Logic Pro X, any additional options used by an existing project are turned on by default when you open the project.

Turn on Additional Options 1. Select any of the specific additional options you want to use. Some features are only available when Show Advanced Tools is turned on, or when the corresponding Additional Options checkbox is selected. If a project makes use of features for example, Track Stacks that can only be created or edited when the Show Advanced Tools checkbox is selected, items using the feature will still play when Show Advanced Tools is turned off.

Features that need Additional Options to be selected have this icon. Undo and redo edits in Logic Pro You can undo one or more edit operations, and redo undone edits. Logic Pro includes an Undo History window with a time-ordered list of all edits that can be undone. You can also change the number of steps that can be undo in Logic Pro preferences. You can undo virtually any edit, including moves, deletions, renaming, and parameter changes; and the creation of new events, regions, channel strips, and more.

The Undo History window displays a list of all actions that can be undone. The most recent editing operation, which will be the first to be undone, is selected. No undos or redos are possible for the deleted steps, once the Undo History has been deleted. Change the number of undo steps 1. Change the number in the Number of Undo Steps value slider. Manage Logic Pro content Logic Pro features an extensive Sound Library of Apple Loops, patches, drum kits, and other content that you can use in your projects.

When you install Logic Pro, essential sounds and instruments are included as part of the installation. Additional content is available to download after the installation is complete.

You can view available content and select content to download in the Sound Library Manager. Some items in the Sound Library Manager have a disclosure triangle, which you can click to show and select individual content types to download. You can also download updated sounds and reinstall the complete Sound Library using the Sound Library Manager. Updated sounds are indicated in the Sound Library Manager and can be downloaded. Some additional content can also be downloaded directly in the Library and the Loop Browser.

When you select an item that requires additional content, a dialog appears, asking if you want to download the content. In the Library and the Loop Browser, items with content not yet installed include a Download button that allows you to download the content directly. Content types The Sound Library includes the following types of content:.

Content locations Logic Pro installs Sound Library content in several different locations on your computer:. Patches Patches are stored inside Logic Pro. They may be added, updated, or removed when a new version is installed. When you relocate the Sound Library, Sound Library content except for Apple Loops, Impulse Responses, patches, software instrument presets, and those plug-in settings stored in the app bundle is moved to the new location.

User-created content is not affected. Relocating the Sound Library to an external drive can free up a large amount of disk space on your system drive. If you change your mind or decide you no longer want to keep the content in another location, you can relocate the Sound Library back to its original location. When you install additional content after relocation, it is installed in the new location. When you relocate the Sound Library, it is also relocated for these apps if they are installed on your computer.

This can be useful to make sure you have the latest version of all available content, and also in case the drive containing the Sound Library is no longer available.

If the Sound Library is available in its current location when you reinstall it, it is reinstalled in the same location. If the Sound Library is not available for example, if it is installed on an external drive that is lost or not connected to your computer , it is reinstalled in the default location on your system drive.

You can view the capacity of the Instrument Library and Apple Loops library and delete each of these items. If you delete Logic Pro content that is required for a patch or software instrument, Logic Pro prompts you to re-download that content the next time you try to use the patch or instrument. Download additional content 1.

While additional content is downloading, a progress bar appears in the lower part of the LCD. You can view more detailed information about the progress of the download by clicking the progress bar. Download additional content in the Library or the Loop Browser Items in the Library and the Loop Browser that require additional content are indicated by a Download button. Relocate the Sound Library 1. The Relocate Sound Library window opens, showing available drives and the free space available on each.

Unsuitable drives are dimmed, with the reason for their unsuitability shown in the Comments column. Select the new Sound Library location, then click Relocate. If other music creation apps such as GarageBand or MainStage are open, you are asked to close them before relocation can proceed.

When relocation is complete, the Relocate Sound Library window closes. You can also view information directly in the app using the Quick Help feature.

Quick Help You can view a brief description of windows, controls, and other elements of the Logic Pro interface without leaving the app or interrupting your workflow.

You can view Quick Help either next to the pointer or in a movable floating window. You can also click and hold the title bar of the Quick Help pane in the inspector, then drag the Quick Help pane out of the inspector. Each tutorial project provides simple, step-by-step instructions for one of the features in the latest version of Logic Pro.

You can open a tutorial project and follow the steps at your own pace, making hands-on changes to the project as you learn more about working in Logic Pro. Logic Pro Instruments Provides comprehensive instructions for using the powerful collection of instruments included with Logic Pro. Logic Pro Effects Provides comprehensive instructions for using the powerful collection of effects included with Logic Pro.

Logic Pro Control Surfaces Support Provides comprehensive instructions for configuring and using specific hardware control surfaces with Logic Pro. When you open Smart Help in Logic Remote, you can view detailed Help information about the Logic Pro interface, commands, and menus, including step-by-step instructions for using Logic Pro on your Mac while you are working, simply by placing the pointer over different parts of the interface.

Logic Pro hardware connection overview You can use Logic Pro with a wide variety of audio and MIDI devices, including microphones, keyboards and other musical instruments, mixers, and other audio equipment. To connect audio devices to your computer, you can use an audio interface.

Some audio and MIDI interfaces require that you install a device driver before opening Logic Pro, so the app can find and use the device at startup. You can connect microphones, electric musical instruments, and other musical equipment to your computer, or to an audio interface or other audio device. Logic Pro supports input from digital audio interfaces up to a maximum sample rate of kHz, and a maximum bit depth of 24 bits. Also make sure the audio interface uses a format supported by your computer.

If possible, you should avoid using different audio devices for input and output. Connect a microphone to your computer Do one of the following:. After you connect a microphone, you choose the input source for the track you want to record to; you can also turn on monitoring to hear sound from your microphone as you play. You can also Set the input format in the Mixer or the inspector so that it matches the format of the microphone.

You can record the sound from your guitar to an audio track, and use the amps and pedalboard effects to shape your guitar sound. There are several ways to connect an electric instrument to your computer. Connect an electric instrument to your computer Do one of the following:. After you connect an electric instrument, you choose the input source for the track you want to record to; you can also turn on monitoring to hear your instrument as you play. You can also Set the input format in the Mixer or the inspector so that it matches the format of the instrument.

To increase the input signal, you can connect the guitar to a preamplifier, and connect the preamplifier to your computer. You can also connect a mixer, speakers or monitors, headphones, and other equipment to hear the audio output from Logic Pro. Logic Pro supports plug-and-play for audio interfaces, making it possible to connect and turn on a new audio interface while Logic Pro is open. An alert appears when you connect a new device, and prompts you to select and confirm the audio interface and driver you want to use.

All digital audio interfaces can be susceptible to latency—a noticeable delay between the time the audio signal is produced, and when you hear it. You should always attach your audio interface directly to the computer, rather than through a hub, or daisy-chaining it through another device.

Doing so can cause an unacceptable amount of latency, particularly with slower USB 1. Connect an audio interface to your computer Do one of the following:.

PCIe provides extremely high bandwidth and fast data transfer rates, allowing you to record and play back large numbers of files at the highest possible sample rates and bit depths.

After connecting an audio interface to your computer, be sure to set the audio interface as your audio input. You can then set the individual inputs on the audio interface as the input source for the audio tracks you want to record to.

For details on choosing the audio input, see Devices preferences in Logic Pro. Connect speakers to a computer running Logic Pro You can connect speakers or monitors to your computer to hear your projects with better audio quality. A variety of speakers is available that you can connect to your computer or audio interface. The way you connect them depends on your system and the type of speakers you use.

Surround projects require a surround speaker system. For information about using speakers in a Surround project, see Set up surround speakers for use in Logic Pro. After connecting speakers or monitors to your computer, be sure to set them as your audio output. For details, see Devices preferences in Logic Pro. For other audio devices, you may need to install, select, activate, and configure the driver for the device.

For devices that do require an audio driver, you configure the driver in Audio Devices preferences. For details about setting up your Core Audio device preferences, see Devices preferences in Logic Pro.

Configure Apogee and Euphonix devices to use with Logic Pro You can configure Apogee or Euphonix audio hardware in the utilities provided by these manufacturers. The configuration utilities for connected devices can be opened directly from Logic Pro.

Consult the documentation provided with the device for specific configuration instructions. For more information on use, see AMS Help. Some MIDI interfaces are automatically recognized by your Mac, but others may require you to install driver software.

Be sure to follow the instructions that came with the keyboard, which may include installing the correct driver on your computer. Connect the MIDI interface to your computer. Each MIDI channel can be assigned a tone or sound, such as piano, strings, bass, and so on. For example:. All devices can receive on all 16 MIDI channels.

Each device plays the incoming data with the sound assigned to channel 1. As this example illustrates, MIDI can be separated onto different channels, but cannot be separated between devices, unless you use a multi-output MIDI interface. Not only does this allow you to play up to 64 different sounds simultaneously through your tone generators, it also allows full MIDI control for each channel of each device. This becomes increasingly important when arranging and orchestrating such a large number of instrument parts.

For example, if you buy a new keyboard to be used without a sequencer, and connect it to an amplifier, you would expect the device to make a sound when you press its keys—in other words, the keyboard is directly connected to the sound generator. In situations where you want to control or record another sound module or software instrument with your keyboard, you would hear both the keyboard sound due to the direct keyboard—to—tone generator connection and the sound of the software or MIDI instrument.

This is why the keyboard must be separated from its own internal sound generator. This function is known as Local Off, and is set directly on your keyboard. Logic Pro will still be able to communicate with your keyboard tone generator just like any other connected, keyboardless sound module or software instrument.

Logic Pro projects overview A project is a Logic Pro document that contains all of your recordings, the location of media files you add, and all the changes you make. You start working in Logic Pro by creating a project, or opening an existing project. Logic Pro X projects are organized in a new way compared to earlier Logic Pro versions. Project assets such as audio and video files, sampler instruments and samples for the Sampler or Ultrabeat, and Space Designer reverb impulse response files can be saved directly in the project, or in a separate project folder.

As in earlier Logic Pro versions, assets can be referenced from a location outside the project, letting you access media files without copying or moving them into the project.

In this exercise, you will use a bass amp plug-in to add an edgier character to the bass, and a reverberation plug-in to bring warmth and dimension to the piano. When multiple formats are available in the menu, if you navigate to only the name of the plug-in, the most likely plug-in format is automatically used. The Power button dims to indicate that the plug-in is off.

You can hear what the bass sounds like without the plug-in. It sounds a bit muffled and vaguely distant. The attacks of the bass notes sound brighter and have a little grit to them, giving the bass character. The bass amp also made the bass a bit louder. In fact, it is a little too loud now.

You will now add a plug-in to the Piano channel strip. But first you need to move the cycle area, so you can hear the piano. The piano immediately occupies more space and has more body. And in your arrangement, whenever the piano plays, not many other instruments are playing, so this setting works great.

In the inspector, look at the peak level display on the Output channel strip. When a part of the song is too loud, the Output channel strip peak level display shows a positive value and turns red, indicating that the audio signal is distorted. In this project, the highest peak in the song is under 0 dB FS, and no distortion is created. In a relatively short time, you have produced a one-minute instrumental song with six tracks, edited the regions in the workspace to build an arrangement, mixed the instruments in the Mixer, and added plug-ins to process their sounds.

You now have a piece of music that would work fine, for example, during the credits of a radio or TV show or as a music bed for a TV ad. Mixing Down to a Stereo File The last step is to mix down the music to a single stereo audio file so that anyone can play it on consumer-level audio software or hardware. In this exercise, you will bounce the project to a stereo audio file. By first selecting all your regions, you avoid the need to manually adjust the bounce start and end positions.

You can choose one or more Destination formats and adjust parameters for each format. You will bounce an MP3 format file that you can easily email or upload to a website. Below the Destination box, notice that the End position is correctly adjusted to the end of bar 23, when the last piano note finishes sustaining. A Bounce dialog opens. Bouncing creates a new stereo audio file on your hard drive. You will save the new MP3 file to your desktop. A Bouncing progress bar opens, and toward the end of the operation, an additional progress bar indicates the preparation of the MP3 file.

When the progress bars disappear, your MP3 file is ready on your desktop. Logic Pro X is hidden, and you can see your desktop. To unhide an app, press Command-Tab to select it. Your file starts playing. You can now share that MP3 file with all your friends and family! Lesson Review 1. Where is the inspector and what are its uses? Where is the Tracks area and what does it contain? Where is the control bar and what does it contain? Where is the workspace and what does it contain?

When multiple panes are open, how do you make sure the desired pane reacts to key commands? Describe two ways to adjust a numerical value in Logic. How do you copy a region? How do you resize a region? How do you loop a region? In the Mixer, where do you add effect plug-ins?

In the help tag, what are the units of the four numeric values used to determine the length and position of a region? How many ticks are there in a sixteenth note? How do you mix down your project to a stereo audio file? Answers 1. The inspector opens to the left of the Tracks area. Its contextual parameters adapt depending on which area has key focus, and what is selected. The Tracks area is in the center of the main window. It contains the track headers to the left, the ruler at the top, and the workspace where you edit regions.

The control bar is the row of buttons and displays at the top of your display. It contains transport buttons, information LCD displays, and mode buttons. The workspace is in the Tracks area, to the right of the track headers and below the ruler, and it contains the regions used in your project.

Drag the value vertically, or double-click it and enter a new value. Option-drag the region and always release the mouse button first, followed by the Option key. Place the mouse pointer over one of the two lower corners so it changes to a Resize pointer, and then drag horizontally. Select the region and press L, or select the Loop checkbox in the inspector. In the Audio FX slots of the channel strips.

Bars, beats, divisions, and ticks There are ticks in a sixteenth note. Goals Choose digital audio settings Record single and multitrack audio Record additional takes Record in Cycle mode Re-record sections by punching in manually and automatically Adjust count-in, metronome, and other settings Delete unused audio files To build a song, you need to come up with the raw material you will later arrange and mix.

You might start with an idea you have in your head, a part you rehearsed on an instrument, or a prerecorded sample or loop, or you may just start experimenting until inspiration strikes. To sustain and develop that initial inspiration, you need to master the techniques that Logic offers to record, create, and edit the audio and MIDI regions that constitute the building blocks of your project. In this lesson, you will configure Logic for audio recording and study activities you will typically perform when working with live musicians: recording a single instrument, recording additional takes of the same instrument, cycle recording, multitrack recording, punching on the fly, and automatic punching.

Setting Up Digital Audio Recording Before you record audio in Logic, you must connect a sound source such as a microphone, an electric guitar, or a synthesizer to your Mac. You then choose the desired recording settings and adjust the recording level of your sound source to avoid distortion. In the following exercises, you will set up Logic to prepare for a music recording.

The microphone transforms sound pressure waves into an analog electrical signal. The microphone preamp amplifies the analog electrical signal.

A gain knob lets you set a proper recording level and avoid distortion. The audio interface sends the digital data stream from the converter to the computer. Logic Pro saves the incoming data as an audio file displayed on the screen by a waveform representing the sound pressure waves. To convert the analog signal into a digital data stream, the digital converters sample the analog signal at a very fast time interval, or sample rate.

The sample rate identifies how many times per second the audio is digitally sampled. The bit depth identifies the number of data bits used to encode the value of each sample. The sample rate and bit depth settings determine the quality of a digital audio recording. Logic does not exert any influence over the quality of your recordings.

Also, most modern Mac computers include a built-in audio interface. Many Mac notebook computers and iMac computers even have internal microphones. Although those microphones are generally not intended to produce professional-quality recording, you can use the internal microphones to perform the exercises in this lesson in the absence of an external microphone. By default, Logic records with a bit depth of 24 bits, which is fine for most uses.

However, you may need to use different sample rates for different projects. Playing an audio file at the wrong sample rate will result in the wrong pitch and tempo, much like playing an audiotape or vinyl record at the wrong transport speed. The Project Settings window opens, and you can see your Audio settings. By default, the sample rate is set to To determine which sample rate to choose, consider the sample rate of any prerecorded material you will use such as samples and the sample rate of the target delivery medium.

Some producers who make intensive use of Traditionally, music is recorded at Choosing an Audio Interface In most situations, Logic automatically detects an audio interface when you connect it to your Mac and asks if you want to use that interface. If you choose to use it, Logic selects that interface as both an input and output device in its audio preferences.

The Audio preferences appear. The Output Device is the device connected to your monitors or headphones. The Input Device is the device into which you plug your microphones or instruments.

If you do not have an audio interface connected to your Mac, choose from the built-in output and input devices. If you choose a new output or input device, Logic automatically reinitializes the Core Audio engine when you close the window. Recording a Single Track In this example, you will record a single instrument. The exercise describes recording an electric guitar plugged directly into an instrument input on your audio interface, but feel free to record your voice or any instrument you have.

Preparing a Track for Recording To record audio, you first have to create a new audio track, select the correct input the input number on your audio interface where the guitar is plugged in , and enable that new track for recording. When adding tracks, the new tracks are inserted below the selected track.

To create a new track at the bottom of the Tracks area, you first need to select the bottom track. The New Tracks dialog appears. You can record-enable the track by selecting the Record Enable option below the Output menu; however, in some situations creating a recordenabled track may produce feedback.

You will later take precautions to avoid feedback and then record-enable the track from the track header. A new audio track set to Input 1 is created. Logic automatically assigns the new track to the next available channel.

Since six audio tracks were created when you dragged Apple Loops in Lesson 1, the new track is assigned to the Audio 7 channel and is automatically named Audio 7.

More descriptive names will help you identify files in the future. The new track has a generic audio waveform icon. You can now hear your guitar and see its input level on the Guitar channel strip meter in the inspector. This delay is called latency. You can monitor the audio routed to record-enabled tracks while Logic is stopped, playing, or recording. Otherwise, you will be monitoring the signal twice, resulting in a flangy or robotic sound. To emulate the character a guitar amp can give to a guitar sound, you can use Amp Designer, a guitar amplifier modeling plug-in.

Note that you are still recording a dry guitar sound. The effect plug-in processes the dry audio signal in real time during the recording and playback. Recording a dry signal means that you can continue fine-tuning the effect plug-ins or exchange them for other plug-ins after the recording is completed.

Amp Designer opens. Here, you can dial in a sound or choose a preset. You can now hear your guitar processed through Amp Designer. Adjusting the Recording Level Before recording, make sure you can monitor the sound through Logic, and then adjust the source audio level to avoid overloading the converters.

On the channel strip, look at the peak level meter, and make sure it always stays below 0 dBFS decibels full scale, the unit used to measure levels in digital audio ; a level above 0 dBFS would indicate that you are clipping the input of your converter. Keep in mind that you need to adjust the audio level before the converter input by using your microphone preamp gain knob.

Allow some headroom, especially if you know that the artist might play or sing louder during the actual recording. Working with a low-level recording is better than clipping the input. Some interfaces also support other input settings, such as phantom power, hi-pass filter, and phase.

If the Gain knob is dimmed, it means that the feature is not supported by your audio interface. Make sure the peak sits comfortably below 0 dBFS: the wider the dynamic range of the source, the more headroom it needs to avoid clipping. When your signal peaks below —2. When it peaks between —2. When it peaks above 0 dBFS, the peak level meter turns red to indicate the audio is clipping. Tuning the Instrument Making sure an instrument is in tune before recording is always a good idea.

The Tuner opens. Checking the Balance Now that the guitar is tuned, you can practice the performance and make sure that you can hear yourself and the other instruments comfortably. If the guitar is now too loud or too soft in comparison to the other tracks, in the inspector, drag the volume fader on the Guitar channel strip to adjust the monitoring level, or drag the volume slider in the Guitar track header.

Recording Audio You have set the desired sample rate, adjusted the recording and monitoring levels, inserted a plug-in to emulate the sound of a guitar amp, and tuned the instrument. You are now ready to start recording. The playhead is positioned at bar If you need to adjust the position of the playhead, drag it left or right.

The playhead and the LCD display in the control bar both turn red to indicate that Logic is recording. The playhead jumps one bar earlier and gives you a four-beat count-in with an audible metronome click before the recording starts. You will learn how to alter both the metronome and the count-in settings later in this lesson. The new recording, Guitar 01, appears as a blue-shaded audio region.

To the name of the track, Logic appends the number of the recording. The playhead jumps to the beginning of the selected region and playback starts. If you are not happy with your new recording, you can delete it and start over. In the Finder, the audio file is moved from inside the project package to the Trash. The audio file stays in the Project Audio Browser and is still present inside the project package, allowing you to later drag it back to the workspace if necessary. This alert appears only when you try to delete a recording made since you most recently opened the project.

When deleting an audio region that was previously recorded, the behavior corresponding to the Keep option is automatically applied and an alert does not appear. You will keep your recording so you can experiment with recording additional takes in the next exercise. Recording Additional Takes When recording a live performance, musicians can make mistakes. Rather than deleting the previous recording and repeatedly recording until you get a flawless performance, you can record several takes repeat performances of the same musical part and later choose the best take, or even combine the best parts of each take to create a comp composite take.

To preserve multiple takes in Logic, you can record new performances over previous ones. The new recording in red appears to be recorded over the previous blue audio region. Both the original recording Take 1 and the new recording Take 2 have been saved into a take folder. The take folder is on the Guitar track. It is currently open, so the two takes you recorded are displayed on subtracks below.

By default, the take folder plays the most recent take you recorded: Take 2, in this case. The previous take, Take 1, is dimmed and muted. The track is disarmed, and you can no longer hear the sound coming from Input 1 on your audio interface.

The take folder now contains three takes. It plays back the most recent one, Take 3, while the two previous ones, Take 1 and Take 2, are muted. Recording in Cycle mode allows you to repeatedly record a single section, thereby creating a new take for each pass of the cycle. When you stop recording, all the takes are saved inside a take folder. The Guitar track is automatically record-enabled. The playhead jumps a bar ahead of the cycle for a one-measure count-in, and starts recording the first take.

When it reaches bar 9, the end of the cycle area, it jumps back to bar 5 and starts recording a new take. Logic keeps looping the cycle area, recording new takes until you stop recording. Record two or three takes. All the takes recorded in Cycle mode are packed into a take folder.

The Guitar track is automatically disabled for recording. To keep the last take of a cycle recording, make sure you stop the recording more than one bar after the beginning of the cycle area. The take folder closes. Doing so allows you to record several instruments at once, placing each instrument on a separate track, so that you can later adjust their volumes and stereo positions or process them individually.

You first create the desired number of tracks, making sure that each track is assigned to a different input number that corresponds to the input number on your audio interface where the microphone is plugged in.

In the following exercise, you will record two mono tracks at the same time, which you can do using the built-in Mac audio interface. To record more than two tracks at once, you need an audio interface with more than two inputs. The exercise describes recording an acoustic guitar on Input 1 and a vocal microphone on Input 2. When creating multiple tracks, selecting Ascending automatically sets the inputs or outputs to ascending settings.

In this case, you will create two tracks, so the first will be assigned to Input 1 and the second to Input 2. Make sure that you took precautions to avoid feedback, as explained at the beginning of this lesson; this time you will create record-enabled tracks. Two new tracks are added at the bottom of the Tracks area and automatically assigned to the next available audio channels Audio 8 and Audio 9. Their inputs are set to Input 1 and Input 2, and both are record-enabled.

The multitrack recording starts, and after a one-measure count-in, you see the red playhead appear to the left of the workspace, creating two red regions, one on each record-enabled track. You now have a new blue-shaded audio region on each track. You can use the same procedure to simultaneously record as many tracks as needed.

If the tracks already exist in the Tracks area, make sure you assign them the correct inputs, record-enable them, and start recording. Punching In and Out When you want to correct a specific section of a recording—usually to fix a performance mistake—you can restart playback before the mistake, punch in to engage recording just before the section you wish to fix, and then punch out to stop recording immediately after the section while playback continues.

This technique allows you to fix smaller mistakes in a recording while still listening to the continuity of the performance. At any time, you can open the take folder and select the original recording. There are two punching methods: on the fly and automatic. Punching on the fly allows you to press a key to punch in and out while Logic plays, whereas automatic punching requires you to identify the autopunch area in the ruler before recording.

Punching on the fly is fast but usually requires an engineer to perform the punch-in and punch-out while the musician is performing. Automatic punching is ideal for the musician-producer who is working alone. Assigning Key Commands To punch on the fly, you will use the Record Toggle command, which is unassigned by default.

Click the disclosure triangle next to Global Commands. The Key Commands window lists all available Logic commands and their keyboard shortcuts, if any. When looking for a specific functionality in Logic Pro X, open the Key Commands window and try to locate the function using the search field. A command likely exists for that functionality that may or may not be assigned. The Graphically Enhanced Manuals help you master a program much faster with a much deeper understanding of concepts, features, and workflows in a very intuitive way that is easy to understand.

Readers love this unique way of learning applications no matter how easy or complicated the app might be. Here are some responses from satisfied customers: “I wish all the manuals on software were like yours! I bought your other Logic GEM books and love em A true gem”.

For over 20 years, Edgar has had a successful musical partnership with electronic music pioneer and founding Tangerine Dream member Christopher Franke.

In addition to his collaboration with Christopher, Edgar has been working with other artists, as well as on his own projects. In he started to release his solo records in the “Why Not All albums are available on Amazon and Apple Music, including the release, the re-recording of the Blade Runner Soundtrack.

In addition to composing music, Edgar Rothermich writes technical manuals with a unique style, focusing on rich graphics and diagrams to explain concepts and functionality of software applications under his popular GEM series Graphically Enhanced Manuals.

His best-selling titles are available as printed books on Amazon, as Multi-Touch eBooks on the iBooks Store, and as pdf downloads from his website.

Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness. Enhance your purchase. Testimonials: Readers love this unique way of learning applications no matter how easy or complicated the app might be. Previous page.

Print length. Publication date. November 7, See all details. Next page. Limited-Time Offer. Get this deal. Frequently bought together. Total price:. To see our price, add these items to your cart. I am wondering, do I need to get both books or should I just go straight to the “Details” since I already have a lot experience in Logic? Also, thanks again for the pdf link, but I was wondering, do you also have links to the old instruments and effects pdf’s from that time? Thanks for your time and help.

It is a continuation with all the remaining features of Logic that I haven’t covered in the first book. They are useful for any user level, because I introduce each topic in case a user is not familiar with it.

A user can implement any of those trips, trick, features into any workflow right away. I often get response from customers that they say they are experienced Logic user, but they still found information in my book that they didn’t know in Logic. How about the following challenge which is only for you and not for the public in general. I have a copy of it so I went to this URL and put in the following that you see in the image, then clicked on Search.

Click on it to get the PDF. EdgarRothermich I think the value of an old fashioned index is that unlike a boolean search it lets the author create useful semantic links. For instance, the index entry “tracking” could take you to sections on recording audio and other sections on recording MIDI, even though the word “tracking” might appears in neither. Make sense? I understand you wrote the first book, then got into details, wrote the second.

It’s great for someone to read in that order. But having to use boolean search in two books doesn’t make a lot of sense if you’re trying to jump to answers.

My case I don’t think is unique. I’d love to sit by the fireplace and read your books, but what I really need is a fast way to zoom in and read e. And boolean searches pre-suppose I know the terminology, while I might not yet know what it’s called in Logic. What I’m getting at is that there’s an additional value-added layer you could offer that would use your familiarity with Logic and other apps to create something like an uber-index, a semantic converter, that would help anyone, even say a Cubase or ProTools user, to zoom in on the specific Logic stuff that might be discussed in multiple sections and books.

Another example. I’m working with a score, but I don’t know how Logic controls which regions and which tracks show up on the page.

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The white noise effect tutrial like it will work in that section. In the inspector, look at the peak level display logic pro x tutorial pdf free the Output channel strip. The playhead jumps one bar backward на этой странице time. In fact, many Garageband users eventually graduate to Logic as they scale up their workflow. Listen while watching the playhead move over the waveform to determine which part of the waveform corresponds to the words you need to replace.❿
 
 

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